Hurt
"We used a probe lens to capture a plate of the eyeball and took a wide shot the dancer with enough headroom to insert the eyeball plate above him. In post our director/editor Pulkit added the effect of the wall being torn open. Almost everything was top-lit, with no ground lights, so the set felt more like a playroom than a constructed set. For me, the best part of working on any production is collaborating with creatives who share your synergy and trust your instincts and decisions. That trust really brings out the joy of being on set." - Abhinay Pandit, cinematographer