We Collide
"We attached Antino to a cherry picker using climbing ropes, pulling him
into the air while the camera floated freely on a crane with remote head control. In the studio, we built a circular dolly track and added a spinning top light using Asteras to mimic the storm’s inner core. The camera and light rotated, sometimes with the actor, sometimes against, creating tension. The third layer was shot in an LED volume, handheld only. I added vibrations with my hands to make the storm feel more intense." - Philipp Hafner, cinematographer