"I was very interested in working simultaneously from the physical and the emotional. How something invisible can alter rhythm, breathing, and gaze. How, little by little, the protagonist stops resisting and begins to become part of that flow, as if the Liceu were writing her from within, pulling her toward its heart, which ultimately is the stage and the auditorium.
During the creative process, a feeling emerged that the force described in the script does not only inhabit the space, but also takes hold of those who occupy it.
In the film, this energy “abducts” our protagonist and pulls her through different emotional states, as if she were moving through her own internal opera. There is no closed narrative, but rather a journey: moments of intensity, fragility, chaos, and calm.
And then, in the middle of this passage, comes a remarkable monologue by the great Mireia Oriol, our protagonist, which destabilizes the previously established beliefs within the film, kicking against formality, and once again guiding us by the hand toward the ending." Nono Ayuso, director