"We shot the project on the Sony FX3 with a set of vintage NIKKOR AI-S lenses, using different focal lengths: 16mm, 28mm, 35mm, 50mm, 85mm, 105mm and 180mm. We chose the Nikkors for their softer contrast and unique character while still keeping the image sharp and natural. The FX3 was perfect for this shoot because of its low light capabilities and compact size. We were shooting a lot during blue hour and moving between different locations around New York so we needed something versatile that allowed us to move quickly and make the most of the available light." Fedor Prunkov, director