The USB Paradox
"We couldn’t find an airplane cockpit, so we pivoted the whole script towards sci-fi after discovering a space station set. We locked ourselves in a house for three months, working every day on producing, writing, rewriting, fabricating, blocking, and prevising every shot we could imagine. With no budget for proper fabrication, we just built props ourselves, spending many late nights in the woodworking shop. Three months of prep, four days of shooting, and over a year in post (!) obsessing over every scratch, flicker, and dust particle. So how difficult did we want to make it for ourselves? Apparently, YES." - Felix Foltas, co-director & cinematographer